Showing posts with label Moby Dick. Show all posts
Showing posts with label Moby Dick. Show all posts

Thursday, September 4, 2014

tiny hand, holding mortal frame to eternal spirit, or something

what i wore:  uniqlo house dress, h&m lace up HIGH boots, bicycle chain necklace, earrings from harmony, vintage cameo ring from antoinette's. mac russian red lipstick.  ralph lauren men's cologne.  don't know what it's called.

i wore clothes and shoes and jewelry today.  and lipstick.  AND SHOES.  that i wore to the mailbox.

i ate my current daily lunch--open face cheese sandwich in broiler (so it gets those beautiful brown bubbles in the cheese) with sliced tomatoes, mayonnaise, kosher salt and freshly ground pepper, a diet coke & pecan sandies with dark chocolate chips.  sometimes i eat the same thing for lunch every day for months.  and then i hate it and never eat it again.

i read:

**nathaniel hawthorne's "the birthmark" which is as awesome a story as you might ever read.

**zadie smith's essay "some notes on attunement," which also kind of blew me away, especially the section on abraham and isaac.

**marcia aldrich's essay "the art of being born," enjoyable, and sad.  where was her doula?  where was my doula, way back when?

**chapter 33 "the specksynder" and chapter 34 "the cabin-table" from moby dick.

i wrote:

** the poem "poor & butterless," and the poem "remove your shoes"

i submitted:

**three poems to a journal who encouraged me to resubmit once, but has nonetheless rejected my work seven times now.

i would write so much better in this kimono & peach mules.
i thought about proposing a performance art project wherein i enact a year of proustian living. the first item in my budget would be this emerald kimono, followed by these kitten slides, which i would only wear to the kitchen to get beverages & snacks.  


Thursday, August 28, 2014

what i wore & a report

weird picture.  sorry.  i wanted to show you that i cast off my mom clogs in favor of h&m booties (see clogs in background), my proustian bed desk (i must work on making it more sumptuous), and that i'm still wearing tons of leopard.  also, i must get rid of that hideous red polka-dotted phone case. 

today, on thursday 28 august 2014:
  • read most of section 2 from charles olson's call me ishmael
  • read eula biss' essay "the pain scale" from the best creative nonfiction, vol. 1, edited by lee gutkind
  • read chapter 17, "the ramadan," chapter 10 "a bosom friend," chapter 4 "the counterpane," and chapter 11, "nightgown," from moby dick.
here's what olson says about melville, and i find it highly applicable.  if you're a writer, you might also find resonance here:


he [melville] was a skald, and knew how to appropriate the work of others.  he read to write.  highborn stealth, edward dahlberg calls originality, the act of a cutpurse autolycus who makes thefts as invisible as possible.  melville's books batten other men's books.

  • wrote the poems "we are all dreadfully cracked. . . ", "but what is worship?",  and "there you lie. . . ."
  • wrote blog post
  • re-submitted to rad journal who asked for more work
  • submitted to new journal, work never before submitted
not done
  • manuscript editing on the lapidary's nosegay.  the fourteenth day in a row this has been on my list and has not been touched.  
p.s. in addition to wearing this outfit to blog in, i'll be wearing it to a parent-teacher conference in which we discuss the issue of my child drawing a mustache and beard on his face with marker at school yesterday, to neylan mcbaine's women at church book release at zion's books, and to the opening of tamarack, a new provo restaurant, which i will review if all goes well.  and finally, to watch the dita von teese episode of project runway later on tonight. 

Sunday, November 18, 2012

ExistentialLIST




1.  Started the day at The Secret City.  The theme of "Ancestors."  Katherine Gleason presented her work on Alexander McQueen; Susan Birnson had everyone taste her canned cherries and apricots (lemongrass, etc--turns canning on its head); we saw Toshinori Hamada present traditional Japanese dance; we listed to Andru Bemis and his banjo, and The Secret City Singers sang Sweet Honey in the Rock.  

2.  Went from there to the dramatic conclusion of the marathon Moby Dick reading.

3.  Headed to the New Museum for the vintage Bowery artists exhibit and Rosemary Trokel exhibit.  Have you heard of her?  I hadn't.  And I have a hard time finding a good link to her online.   There was also a tattoo artist tattooing humans in the New Museum's window.  

4.  The conclusion of our year-long GITP blog experiment looms.  I'm still not sure what all these posts have added up to, if the daily blog practice has helped me in any way.   Still feel in so many tight places.  I still haven't accomplished many of the goals I set on 12/31/11 with Lara.  In fact, I feel like I've barely made a dent.